Daniel2 vs ProRes, DNxHD, XAVC, etc. Neil. Re: h264/265 vs DNxHR LQ proxies in Studio. Today I wanted to take a practical look at video codecs for storage and archiving types of footage. Reduce Playback resolution to the lowest it will go. DaVinci Resolve is very capable even for free, but you need the right hardware! Studio 18. NLE software from any manufacturer (Premiere Pro included) will have much better performance during playback with these intermediate formats. Export to ProRes 422 with the "Use Previews" box checked. Reply. 264 to something else is probably a good thing. . Both Cineform and Prores are designed to allow the fast decoding of fractional resolutions. There are a lot of variations of ProRes such as ProRes 422 and ProRes 4444. Intermediate vs Long-GOP in a nutshell. Cineform is an excellent alternative, but a bit slower on Macs. 26X series (The newest is H. NOTE: It is important to note that, by default, choosing Apple ProRes 422 Proxy creates a proxy file at the same resolution as the camera master file. Documentation & downloads. H264 file and, it now looks like crap and looks slightly compressed, slightly, but enough to notice and not understand why it always looks like crap after exporting from FCPX. GoPro Cineform. Short Answer: YES, we still need them and will continue to for a while. I think. Para uma visualização ideal, os vídeos H. ProRes is not a singular thing, though. A depth of 48-bits is equal to 16-bits per channel (R,G,B). I have to disagree with Philip on this one – hard drives are cheap – I’d go with ProRES HQ. Render previews of any clips with effects and clips that are not the same as the new. DaVinci Resolve 17. The way this works is quite technical but it essentially amounts to using the extra pixels present in the 4K files to rebuild the lost colour information. 264 to HEVC, which is often called “H. The DNx family is great, but it offers a lot of options that can quickly get overwhelming for new users. You just need the codec pack for windows. To export a file using Adobe Media Encoder, select a format in the Export Settings dialog box for the output. This reference list provides you with a quick and easy way to identify the formats and codecs supported by Blackmagic DaVinci Resolve 18. . 264, h. Wes Howell • Adobe Employee , Dec 06, 2018. The compression quality is controlled by the Quality slider in the Export. You won't want less than ProRes 422 HQ for final results anyway. Download. There was a noticeable difference between 4K ProRes and 4K H. For exporting in DaVinci Resolve, AVI has codec options for GoPro CineForm and Grass Valley. Often, you can begin editing immediately after recording. fs454 • 4 yr. 7. Codec facts: DNxHR 444, ProRes 4444 and ProRes 4444 QC are the only codecs with embedded alpha channels. „Can you prove it“ you ask. DNxHR and ProRes are comparable in quality at the same bitrate. 返回首页. Codecs of 2011 - Prores Vs Cineform Vs DNxHD Discussion in 'CineForm Software Showcase' started by Kris Koster, Feb 4, 2011. Software. It sounds like your source files are more compressed than both Cineform or Prores 422. KineRAW-MINI can save data in CinemaDNG format, while KineRAW-S35 can save data in CinemaDNG and Cineform RAW (one time/both). 6. Resolve also reports that ProRes 4444 and 4444 XQ files are 16-bit, when in fact only the alpha channel can be up to 16-bit. By Angelo Lorenzo | Adobe, Apple, Software | 9 Comments. MP4, this way you can have more control over your. And, BTW, ProRes is a codec, while QT is both a container and a (soon obsolete) framework. Cumi. Prior to ProRes 4444, if you wanted Alpha Channel Transparency, you had to use Apple’s Animation codec. Do we really need Cineform and Prores even in the 2020s? By Truthler in forum Video Conversion Replies: 25 Last Post: 28th Dec 2020, 02:52. Once rendered you can then use Media Encoder (or other) to render out to H264 or . 1) 6. The only issue is the very large file size, but if storage is not a problem, you could hardly do better than Cineform. The format in which you are smart rendering determines the option to smart render in these special cases. Daniel2 Codec Summary. BluRay allows for MPEG-2 at 50M, but most commercial BluRays produced after about 2008 or so used H. Enter the. 264 uses long-GOP compression, it can pack a lot more information into those 100 megabits than ProRes can. ago. 264. GoPro Cineform, aka the SMPTE ST 2073 VC-5 video compression standard, is a cross platform codec that in Creative Cloud piggybacks onto QuickTime ( warts and all). Alpha Channel support. Codecs refer to the way that audio, video, or other data is encoded, whereas containers refer to the file that contained encoded audio and video. 264/H. Cineform is an excellent alternative, but a bit slower on Macs. 5. Apple ProRes formats, Kakadu jpeg2000 formats (including Dolby P3D65) Apple ProRes formats, Kakadu jpeg2000 formats. 265, but I'm on Nikon, not Panasonic. ProRes - A flexible codec that supports any frame size. Now that both macOS (High Sierra release) and Adobe Media Encoder (2018 update) support the new HEVC codec, I thought I’d compare compressing video using H. ProRes 422. MPEG-PS, . ProRes 422 LT. Creating proxies with h. Depending on the flavor used, compression will be around the same as a similar quality ProRes or. 264 instead (at the same data rate). There are a plethora of free GUIs for ffmpeg for those unfamiliar with the command line. easyDCP(3) RGB & YUV422 JPEG2000 video mov, mxf Op1A, mxf Op‑Atom – for IMFs Yes Native, Kakadu RGB, YUV422 and YUV444 (8 ‑bit, 10 bit, 12 bit. I think cineform is more used as it's readily encodable by Adobe now on both PC and Mac whereas Prores is still Apple only. Speed wise- ProRes realtime, Cineform+GV HQX 2x faster than realtime, DNxHR HQX 1. will do the trick. Is h265 worth the hassle of so much harder decoding? Maybe in case of a recording format yes (as then storage is precious), but later there is about no point using it as intermediate. It will show you the bitrate of. I believe its PC vs MAC issue like ProRes vs DNxHD/GoPro Cineform. easyDCP(3) RGB and YUV422 JPEG2000 video mov, mxf Op1A, mxf Op-Atom – – yes Native, Kakadu RGB, YUV422 and YUV444 (8-bit, 10-bit, 12-bit each). Q. 2GB - 786,334 kbps. No alpha. Initially, H. Cineform vs. Apple ProRes is a high quality, "visually lossless" lossy video compression format developed by Apple Inc. Don’t get it confused with other compressed codecs like ProRes or H. ProRes codecs are all 10-bit 422 as is DNxHD 220x but lower bit rate DNxHD codecs are 8-bit 422 architectures. Check the Export Alpha option and change the file name as needed. ffmpeg -i <input file> -c:v prores_ks -profile:v 4444 -vendor ap10 -pix_fmt yuv444p10le -acodec pcm_s16le output. Well well, once again, the laws of Physics: there will be a transcoding quality loss any lossy as ProRes codec. In all the tests that I’ve done, Cineform is surprisingly effective at being an easy-to-process codec. Speed effects, time remapping, or reversing the clip are definitely in the "complex" category for H. However, ProRes is optimized for editing and requires the least load on your system during the edit of other potential codecs. Codecs of 2011 - Prores Vs Cineform Vs DNxHD Here we are in 2011 and I'm going to resurrect this bag of worms if I may. Here’s a good way to explain it. mov, . We’ve done a ton of testing with DSLR footage to various codecs – on the Mac side ProRES HQ is great – no reason to go lower quality especially if you plan to take into Color or similar for timing/fx. Re: Cineform 16bit RGB small note. The compression quality is controlled by the Quality slider in the Export. DNxHR and ProRes are comparable in quality at the same bitrate. Try using -g 1 rather than -intra and confirm whether it is any quicker to commence playback and step-through (color stuff dropped for clarity) $ ffmpeg -i myfile. There was a significant file size difference,. 264 uses long-GOP compression, it can pack a lot more information into those 100 megabits than ProRes can. On a Mac I recommend the FTP client app ‘Transmit” by Panic. I used Cineform codec for years. OS. So, if you want to compare codecs like ProRes vs DNxHD, ProRes vs Cineform, DNxHD vs. proxy (0) lt (1) standard (2) hq (3) 4444 (4) 4444xq (5) The FourCC codec IDs for the different Apple ProRes. 3, MacOS 12. _哔哩哔哩_bilibili. Good for performance, yet still. Yes, ProRes 422 is vastly better than any H. Even using Film Scan 2 though, I am not seeing the same level of. Calculate the disk space taken up by over 75 codecs including ProRes, Animation, ARRIRAW, DNxHD, XDCAM and DPX. ProRes supports 10-bit color and retains more of the color than H. 264 or whatever after export. ProRes data rates look a lot line Cineform and RedCODE data rates. I am working with 5. On March 30, 2011, the company was acquired by GoPro which in particular wanted to use the 3D film capabilities of the CineForm 444 Codec for its 3D HERO System. The biggest advantage of DNxHD over Cineform is that DNxHD compatibility is much greater. 8-1. That said, ProRes (or DNx/Cineform) is superior to MPEG ALL-I for raw editing performance. GoPro Cineform, the cross-platform codec now in Creative Cloud, also produces high quality results. In Premiere 23. CineForm Intermediate is a proprietary video codec developed for CineForm Inc by David Taylor, David Newman and Brian Schunck. 12bit Cineform 5 (avg: 67. Tests have shown that the CineForm codec can be rendered over 100 times and not lose any quality in the process. 摘要. If your video was shot at this size, then you want to upload it in that. I get 48. The calculator can be used with any type of media, including HD or SD footage, as well as. 265 to ProRes Converter and run it. There was also a 12 bit Bayer raw Cineform conversion offered in the original software. 1. Give your preset a name and when you save it, it will save to your computer with a ". Hi, Thanks for the advice. Next project I'm going to try ProRes LT proxies and remove the timecode window, so I can try a smart render, the advantages of that look worthwhile. Main idea is to choose an intraframe delivery codec, not interframe (atleast for master files). 264, you need a much higher bitrate. Read below to explore more about this codec and what is unique comparing to other similar codecs like CinemaDNG and ProRes RAW. 264 for possible quality though much bigger in file size. avi -q3 -f23. Step #13. mp4 -y. A third good option is Cineform, which. The author states: "This is much bigger of an issue than I thought originally. Quote:ProRes 422HQ 10-bit is "Visually Lossless" but same time 1. Upvote Translate. ”. FFMPEG can decode and encode it with alpha. You can also use Proxy or Low-Bitrate HD formats Cineform, Prores and DNxHD as well. mov ProRes 4444 10bit. NOTE: I will be spending a substantial amount of time discussing how to remove flicker using various programs as it is a highly requested topic. In a spot check, ProRes 4444 XQ files were a bit bigger than Cineform 4444 render at quality level 4 (Film Scan 1) and a bit smaller than renders at quality level 5 (Film Scan. 3 Most Popular Intermediate Codecs There are three main intermediate codecs that are industry standard: Apple ProRes GoPro's CineForm Avid's DNX Export. That being said, starting with a higher quality file is ALWAYS recommended, as YT will always recompress what you upload. So different Prores levels (422 proxy, 422 LT, 422, 422 HQ, 4444) mean the quality/compression levels. I bought the Canon R5 a few months ago and have been really enjoying using the camera, but of course I've been working on my proxy workflow because…Adobe 2019 - ProRes vs Cineform vs DNxHR - 3부. The codec is available in Adobe video apps in CC 2014. I would recommend using Cineform proxies. But you'd really need to do an A/B comparison to notice. Traditionally video monitors mean video signal chain. There are a few different software solutions I use as well and will be touching on each when I do the post-production section. Cineform is a wavelet compression codec, with 10-bit YUV and 12-bit RGB variants, which like ProRes support compressed alpha channels in the RGB variant. 265, where there are only complete or " i-frames " every 9-30 (or even more) frames of media. exe" c:framesourcesource*. 1, MacOS 12. Just export some seconds of plain black to CineForm and to ProRes. If you want a different ProRes format, open "Parameter settings" windows and select any option in the "Video Encoder" drop-down list, including ProRes 422, ProRes 422 Proxy, ProRes 422 LT, ProRes 4444 XQ, and ProRes 4444. Another significant advantage of the Blackmagic RAW is the compatibility to multiple OS platforms (Mac, Windows and Linux) contrary to ProRes RAW which is. Long answer: Hardware manufacturers (cams, dvrs, atomos, gopro, etc) still encode their captures with these codecs, and we need them for compatibility of workflow projects. In case of ProRes disk read doesn't scale down. Adobe 2019 - ProRes vs Cineform vs DNxHR - 3부. Of course, Apple would argue that it has its own ecosystem of ProRes to work in, as detailed in our handy "street names" chart. 6. You can pick other formats than ProRes. Full list of. īecause companies publish their own specifications in different formats, it can be difficult to compare codecs directly. If, for some reason, you can't use or don't want to use . Preset still exists somewhere in the Preset. Exporting out of one generation (camera originals) of H. You won't want less than ProRes 422 HQ for final results anyway. An important difference, however, is that some of the major editing and finishing systems available lacks support for ProRes encoding for Windows. The best and worse uses for Cineform The Cineform codec is a robust and stunning codec for many things, but proxies aren't one. While no codec lasts forever, ProRes and Cineform are already 64-bit and are actively supported by Apple, GoPro and other developers. This means Windows users can read a ProRes encoded file, but in some cases cannot export one. 264. Aug 19, 2022. agent42b • 7 yr. So the difference in file size and data rate is rather small (this was using. #5. Most consumer video applications or devices will not play back ProRes or other similar codecs (like DNx or Cineform). So, if you want to compare codecs like ProRes vs DNxHD, ProRes vs Cineform, DNxHD vs. Prior to ProRes 4444, if you wanted Alpha Channel Transparency, you had to use Apple’s Animation codec. H. Import clips into Davinci Resolve, and output ProRes proxy files; Do editing work in NLE like FCP or PR software, and then output. What is the Best Video File Export Settings for YouTubeDownscaling and transcoding to ProRes or CineForm at 1080p can convert the RGB 4K data from the GH4’s 4K 100Mbit/s codec to the higher bit depth of 10bit and colour sampling of 4:4:4. ProRes 是一种中间编解码器，这意味着它们用于影片编辑期间，而不是用于实际观看。. Re-encode the H. 13 or higher. With that said, I am. I've also heard this gives 4:4:4 color depth since you're sampling multiple pixels down into one pixel. If not, it’s DNxHD/HR. ProRes 4444 (avg: 67. You want a intraframe codec (ProRes, Cineform etc), because then you will be able scrub much faster than using a interframe codec (H264) Simply transcode you footage into a intraframe and you’ll be good to edit with it. 264 files to a 4:2:2 using NeoScene to coddec of Cineform 422 on the ProRes 422 with MPEG clipstream or Adobe Media Edcoder? Thank you. Apple ProRes (via FFmpeg) 🟢. HEVC: 143MB, 35. 264. PhotoJpeg - will render fast and give good quality. Whereas the bit rates for compressed codecs are usually in the double digits, these higher end codecs’ bit rates. 在Windows系统输出ProRes主要依靠第三方编码器，这样输出的视频参数相对于官方编码会有所差别，质量无法保证，并且第三方编码器只能说是仿造，在实际使用过程中可能会出现谜之Bug。. This lets you take advantage of smart rendering. Note these are from the pre-production camera, firmware v0. 5. Thu Mar 30, 2023 6:16 am. From my perspective, having transcodes (simple copies) to Cineform, etc. e. ProRes HQ (avg: 61. Cineform partial resolution decoding works in Premiere, Resolve, Assimilate Scratch and possibly Vegas (at least I know about those). Click OK. MXF OP1A mxf Apple ProRes Yes – Yes – Yes – MXF OP1A mxf Alexa Mini Yes – Yes – Yes – MXF OP1A mxf Canon EOS C300 8 bit Yes – Yes – Yes – MXF OP1A mxf DNxHD 1080i 100 8 bit Yes Yes Yes Yes Yes Yes DaVinci. The proxy formats you've mentioned are high quality intermediate codecs. 一開始只是因為Premiere Pro轉不出120fps的代理素材，結果就給我挖到了這一塊寶。記得開啟cc字幕~開源+免費+免註冊+專業+全能+想得到的轉檔功能. It's lossy and it's size is worse than lossless FFV1. 0 we’re changing the default preview codec for most new sequences created from media to Apple ProRes 422 LT. 264 media. on some cases it is a good D. Install the H. I believe its PC vs MAC issue like ProRes vs DNxHD/GoPro Cineform. 264 and HEVC have poorer quality than ProRes, for example. These programs will include Premiere Pro, LR Timelapse, Lightroom, After Effects, Photoshop, FCP 7, Quicktime 7, GB Deflicker, CHV Time Collection, ProRes vs CineForm, Photomatrix, GBS Timelapse & more. This ffmpeg command: ffmpeg -i input. 976. Thus CineForm 444(4) would be a more appropriate intermediate and interchange format these days. Right now it is not clear what High, Medium and Low mean from the interface itself, which is bad for a variety of reasons. Although your codec is only 10 or 12 bpc, I've found that over-sampling to 48 bits is better than up-sampling from 24 bits. 9-inch (3rd generation) and later; iPad Pro 11-inch (1st generation. Or you can also click "Add" button on the top of. ProRes: In addition to MOV, Apple developed ProRes, mainly to help video editors manage large high-resolution video files that can eat up a lot of memory. g. I am a paying customer. To use it, you must enable it's plugin. ProRes is only standard because of apple ecosystem. GoPro Cineform: Recompression Generation Loss. Report. You won't want less than ProRes 422 HQ for final results anyway. It edits/scrubs perfectly, and is good enough to use for color work. Both CODECs use a much more simple, and thus less effective compression, method and also without inter-frame compression. 테스트 PC : i7-5820K @ 4. That said, ProRes (or DNx/Cineform) is superior to MPEG ALL-I for raw editing performance. 265, ProRes, Apple Pro Codecs, HEVC) even CineForm which was widely used for years as a cross compatible. Location: 1146 North Las Palmas Ave. There is no way to change import settings, but i'm definitely sure, that these. So why not H. Best is not to choose H. 视频去哪了呢？. Is there anything preventing adding DNxHR and CineForm to the Blackmagic Proxy Generator? I suppose the new HyperDeck can't play CineForm, but it can play. Bogna Szyk. 2) 5. Originally Posted by Cornucopia. DPX, or any other combination, you’ve come to the right place. Intermediate vs Long-GOP in a nutshell. 2. As you can see, blocky artifacts are still. MFX as mentioned above is a container that can hold intraframe or interframe codec. Follow; Report; More. PNG or . To smart render to/from QT AVC-Intra, install the QT AVC-Intra codec. Those formats are made to hold up to being re-encoded while being very fast to encode/decode. These codecs are designed to retain the image quality and details from your source footage but optimized for better playback. 264 is widely used for online streaming due to its high compression efficiency, it sacrifices some image quality. Step 3 Edit GoPro CineForm video (Optional) Before converting GoPro CineForm video to MP4, you may also first edit the GoPro CineForm video files: Click the "Effect" button to. Cineform and DNx are technically competitors to (and inspirations for) the ProRes workflow, so it makes sense that Apple might not work extra hard to support them in Final Cut Pro. Cineon 1080 RGB. easyDCP(3) RGB & YUV422 JPEG2000 video mov, mxf Op1A, mxf Op‑Atom – for IMFs Yes Native, Kakadu RGB, YUV422 and YUV444 (8 ‑bit, 10 bit, 12 bit. Codec science is unbelievably complicated. I see no option to continue using quicktime and cineform. For the encoding part it's not too much of a problem (it would be a good addition anyway), youtube accepts ProRes, Cineform and DNxHR (if someone wants the top quality. To download the Arri Alexa ProRes 2K and 1080p files you will need to access their FTP server and browse to the folder with the correct footage. Una mayor calidad de las imágenes en cuanto a detalles y color durante. )For those wanting more information on ProRes vs DNxHD vs Cineform, especially those transcoding and/or editing on a PC, here's a a helpful comparison. Yes, ProRes 422 is vastly better than any H. 264. CineForm was the first of its type to focus on speed, while supporting higher bit depths for image quality. ProRes 1080 is around 115Mbps. 8 GB. Codecs designed for editing (DNx, Pro Res, Cineform) will performance WILDLY better than h. Add a comment | 2 Answers Sorted by: Reset to default 1 In Media Encoder you first need to select your destination format as Quicktime. 264 GH4 footage to 1080p 10 bit CineForm, since my PC isn't quite beefy enough for online 4k editing. I don't care about file size so which codec is best for me. more Understanding. mp4 HEVC 444 10bit/16bit. ProRes; CineForm; HEVC (h265) Q. Ideally, you should use the exact same format as. I use and recommend Cineform 10 bit at 1/4 resolution for Optimized Media. 360 - File Size 3. 6. Change the output settings to Quicktime, and select ProRes 422 (HQ) or Cineform (Q4) as your codec. DaVinci Resolve is very capable even for free, but you need the right hardware! Studio 18. Apple ProRes [10-12bit] will now be. 1, MacOS 12. Or sign in with one of these services. There are, however, two good reasons to use HEVC, rather than H. I tend to use DNxHR SQ (Standard Quality) at Quarter Resolution. Change the Sequence Settings to one of the following codecs for rendering preview files: ProRes, DNxHD/HR, or GoPro Cineform. The actual space taken up may differ slightly due to embedded audio, differing frame sizes and aspect ratios, and inter-frame compression / pulldown. 2, MacOS 12. The best and worse uses for CineformThe Cineform codec is a robust and stunning codec for many things, but proxies aren't one of them. It's never advisable. I wanted to see how they'd compare in a real-world example. I used it long before either GoPro or LWKS were on the market. Coke vs Pepsi vs Dr. It has been also discussed countless times, yet every few days there is the same question. Dnx is the way to go. mov -map 0 -codec:v libx264 -g:v 1 -profile:v high -tune:v fastdecode -pix_fmt:v yuv420p -crf:v 25 -movflags +faststart myfile_proxy. Step 1. Export settings in Resolve: 10bit 422 YUV Cineform highest from Lightworks is Filmscan 1 Cineform standard, more or less equivalent to. 9 less in size than x264 "Real Lossless" 422 10-bit Yes, if you throw away data you get smaller files. While CineForm may have an edge in terms of color depth and image fidelity, ProRes is widely adopted in industries like broadcasting, film production, and professional video. Resolve Studio 17. Sign in with Facebook. Reply. . Since ProRes is in the title of the post, and some discussion about wanting DNG 3:1 I thought I could include my blind test link in this thread. As far as Cineform VS MP4 is concerned, I made the following tests: I started from a . It has a target data rate of 102 Mbps. ProRes vs DNxHR vs Cineform (i. ProRes has also 1/2 resolution decoding mode, just no one implemented it (except FCPX). Learn more about how Final Cut Pro detects and converts incompatible media files. mp4 and it works fine so I’m guessing this is a DNxHD problem. HEVC itself has a distinct distadvantage against ProRes (and even AVC) when it comes to retaining high-frequency noise and detail, for example film grain, so even at 'equivalent' bitrates it might go either way depending on what you're shooting. These are stored in a file structure containing the image. Drag the H. 6K Equilateral Cineform Film Scan 1 - 46. 1, MacOS 12. IMO it is a great master codec for Windows/PPro machines- fast, easy to digest, lossless. 它可与 DNxHD 或 CineForm 相媲美，后者提供相似的比特率. I started with the GoPro CineForm YUV 10-bit-Preset. 175 was chosen because it is similar to ProRes HQ’s bitrate of ~180Mbps. 264. 1 Correct answer. Part 2. Yes, ProRes 422 is vastly better than any H. Its incredibly CPU intensive for a CPU to decode in a video editor. 264 is a very compressed and algorithm heavy encoding. That is to say, for 4K video file with 8-bit Bit Depth, the size of one frame is 8. Hello fellow professionals, Now that Adobe added Cineform option to our export possibilities, I can see how hugely beneficial this can be to PC users, however, I was wondering when working on MAC, having access to exporting Prores. 264 format. The problem is: it’s frickin MASSIVE. This includes DNxHD / DNxHR (created by Avid) and H. In order to transcode the ProRes file to your target codec, you need a tool that supports reading the first and writing the second one. CineForm Images can be stored in 10-bit 4:2:2 YUV, 12-bit 4:4:4 RGBA, or 12-bit RAW formats. Import H. mov. 5 slower than realtime. 2 Upvotes. The GoPro CineForm codec can encode pixels in YUV 4:2:2 at 10 bits per channel, or RGBA 4:4:4:4 at 12 bits per channel. Native IMF, IMP, Apple ProRes formats, HT‑J2K, Kakadu jpeg2000 formats (including Dolby P3D65) Apple ProRes formats, Kakadu jpeg2000 formats, Studio for >=4k/Dolby P3D65/HT‑J2K. Translate. ReelSteady is incorporated into the free GoPro player, but there is a $100 one-time in-app purchase to unlock its various features. These will show the options in the next step. GoPro CineForm，无论是在Windows还是Mac OS. Change Video Previews > Preview File Format to: ProRes 422. Examples are ProRes, Cineform, and DNxHR. Just to then reencode to H264 lossless, which then gives a tiny fraction of the size of Cineform for low motion content such as screencasts and tutorials. Codecs are invented to compress and decompress multimedia data in your video file in either a lossy or a lossless manner. 7. ProRes is going to be 1,000,000% smoother to edit than any of the in-camera codecs. 264 didn't have 10-bit implementations and H. If we think about ProRes or DNxHR/Cineform or any other intermediate codec as a high quality master/working format then they should be actually RGB based end always full. 265 didn't exist. MOV format works almost as well. BluRay uses MPEG2 at 50 For ProRes 422 115M is about what you get at 1080p24. Avoid using it in the edit as much as possible. 264/265, both will be smooth. The disadvantage is that it will only encode on Mac. No idea what projects you do, but I would stick with ProRes (XQ if you really want 4:4:4 and high quality) or DNxHR or Cineform (best quality option). 264 and ProRes, CineForm stands out for its ability to retain more detail and color information. When it comes to creating archival/master files, there are a few competing codecs to consider, the most popular of which are ProRes, DNxHR, and Cineform. AVC is short for Advanced Video Coding, and the standard was first published in 2003. So, if you want to compare codecs like ProRes vs DNxHD, ProRes vs Cineform, DNxHD vs. If you want higher precision (I doubt you ever will) then you have DPX, TIFF and EXRs or 12bit in DNxHR, ProRes and Cineform (intermediate codecs).